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Handel
Recitatief en Aria uit "RINALDO" - Lascia Ch'io Pianga - HANDEL
Nicolas
2:30 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 0 4 10 84%
Bass 18 45 6 9 100%
Bass 21 15 5 8 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 0 4 10 84%
Bass 18 45 6 9 100%
Bass 21 15 5 8 98%
 
Minuet (Water Music), HWV 350
janiyaaaaa
3:16 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 24 5 6 100%
Bass 19 0 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 24 5 6 100%
Bass 19 0 3 3 100%
 
1. Sinfonia (Overture)
Pika3323
2:37 Est. Play
Time
98 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I		 Treble 24 0 8 7 98%
Violin
II		 Treble 22 0 6 8 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I		 Treble 24 0 8 7 98%
Violin
II		 Treble 22 0 6 8 96%
Viola 19 0 5 8 93%
Cello Bass 22 0 7 7 92%
 
Passacaglia – Handel/Halvorsen
TruuMoo
2:16 Est. Play
Time
74 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 0 6 4 97%
Bass 20 6 1 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 0 6 4 97%
Bass 20 6 1 2 100%
 
Suzuki Cello vol. 2 - 5. Chorus from "Judas Maccabeus"
Fmgpalomo
0:47 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 11 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 11 0 2 5 100%
 
Handel, G.F., O Sing unto the Lord a New Song
pental
3:11 Est. Play
Time
60 Measures
1,136Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 35 9 7 99%
Bass 27 19 7 7 93%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 35 9 7 99%
Bass 27 19 7 7 93%
Organ Treble 27 0 5 5 100%
Oboe Treble 17 0 5 7 98%
Violino
I		 Treble 22 0 6 7 98%
Canto Treble 15 0 4 8 95%
Bassoon Bass 17 0 4 5 93%
Violino
II		 Treble 25 0 8 6 93%
Violoncello Bass 21 0 5 5 93%
Contrabass Bass 20 0 4 5 92%
Basso Bass 16 0 5 8 90%
Tenore Treble 16 0 6 7 78%
 
HWV58A3N2 - Leave me, loathsome light
edward.maurath
3:13 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
Organ Continuo Treble 21 10 3 5 96%
Bass 18 2 3 3 100%
Cello Continuo Bass 18 0 3 3 100%
Double
Bass Continuo		 Bass 17 0 3 3 100%
Viola 16 0 3 4 90%
Violin
1		 Treble 15 0 1 3 90%
Violin
2		 Treble 16 0 3 5 90%
Bass Bass 13 0 2 6 79%
 
HWV1A3N4 - Du stolzer Erdenkreis!
edward.maurath
2:22 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 29 1 3 89%
Bass 19 19 3 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 29 1 3 89%
Bass 19 19 3 4 100%
Bassoon Continuo Bass 13 0 1 4 100%
Violoncello Continuo Bass 13 0 1 4 92%
Violone Continuo Bass 13 0 1 4 92%
Oboe Treble 15 0 1 4 82%
Tutti Unisoni Treble 15 0 1 4 82%
Bass
as Consalvo		 Bass 11 0 2 5 60%
 
Händel - Largo: "Ombra Mai Fu", for Flute and Cello
Hyeon Kim
2:36 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 59 3 8 100%
Bass 15 29 0 3 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 59 3 8 100%
Bass 15 29 0 3 98%
Cello Bass 17 0 2 8 98%
Flute Treble 13 0 2 8 58%
 
HWV7A3N3b - "Andante, o forti" in G Major
edward.maurath
0:40 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
Basso Continuo Bass 17 0 6 7 100%
Violoncello Bass 17 0 6 7 100%
Contrabass Bass 16 0 6 7 97%
Violins Treble 19 0 6 7 97%
Mago
as bass		 Bass 12 0 3 7 75%
Viola 7 0 3 5 15%
 
Messiah| No.22: Behold the Lamb of God
Pete Alan
3:12 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 16 0 3 8 100%
Violin
I		 Treble 17 0 3 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 16 0 3 8 100%
Violin
I		 Treble 17 0 3 7 100%
Violin
II		 Treble 20 0 4 8 100%
Double
Bass		 Bass 16 0 3 7 97%
Alto Treble 13 0 3 6 81%
Soprano Treble 13 0 3 7 81%
Bass Bass 15 0 3 7 75%
Tenor Treble 13 0 4 6 75%
 
HWV27A3N20 - Arsace Recitative, "Passo di duolo in duolo"
edward.maurath
0:16 Est. Play
Time
4 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Harpsichord Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Violoncello Bass 5 0 1 2 100%
Flute Treble 7 0 0 3 75%
 
HWV7A2N4b - "Il Tricerbero humiliato"
edward.maurath
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
Contrabasses Bass 21 0 5 9 100%
Violins
1		 Treble 21 0 4 9 100%
Violins
2		 Treble 19 0 4 9 100%
Violoncello Bass 21 0 5 9 100%
Violoncellos Bass 21 0 5 9 100%
Rinaldo 17 0 4 8 79%
Viola 10 0 1 6 25%
 
02. Behold The Lamb Of God
crize2foi
0:57 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 3 6 100%
Soprano Treble 13 0 3 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 3 6 100%
Soprano Treble 13 0 3 7 100%
Bass Bass 15 0 3 7 92%
Tenor Treble 13 0 4 6 92%
 
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
Händel - Lascia Ch'io Pianga, for Flute and Harp
Hyeon Kim
0:01 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 24 5 9 100%
Bass 16 24 4 6 100%
Flute Treble 12 0 3 12 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 24 5 9 100%
Bass 16 24 4 6 100%
Flute Treble 12 0 3 12 71%
 
Messiah| No.33: Lift Up Your Heads, O Ye Gates
Pete Alan
2:34 Est. Play
Time
78 Measures
1,195Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 124 6 6 100%
Bass 31 20 6 7 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 124 6 6 100%
Bass 31 20 6 7 100%
Alto Treble 8 0 1 7 90%
Tenor Treble 12 0 2 7 82%
Soprano
II		 Treble 11 0 1 7 78%
Bass Bass 15 0 2 6 74%
Soprano
1		 Treble 8 0 1 5 21%
 
Messiah| No.17: Glory to God
Pete Alan
2:20 Est. Play
Time
57 Measures
1,512Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 22 3 3 8 98%
Violas 15 0 1 8 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 22 3 3 8 98%
Violas 15 0 1 8 98%
Basses Bass 16 0 1 8 91%
Cellos Bass 15 0 1 8 91%
Tenor Treble 11 0 0 8 65%
Alto Treble 7 0 0 8 54%
Soprano Treble 8 0 0 8 49%
Bass Bass 11 0 0 8 47%
 
HWV5A1N11 "Egregio Duce"
edward.maurath
0:35 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 11 11 4 3 80%
Bass 12 12 3 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 11 11 4 3 80%
Bass 12 12 3 5 100%
Esilena 8 0 2 3 100%
Violoncello (Continuo) Bass 8 0 2 3 100%
 
HWV7A2N20a - "Ah! crudel, il pianto mio deh!"
edward.maurath
2:50 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 20 0 3 10 100%
Contrabass Solo Bass 17 0 3 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 20 0 3 10 100%
Contrabass Solo Bass 17 0 3 6 100%
Oboe Treble 17 0 3 9 92%
Harpsichord Treble 20 29 3 7 85%
Bass 17 7 3 6 88%
Contrabasses Bass 16 0 3 6 88%
Violas 12 0 3 7 88%
Violins
1		 Treble 19 0 4 7 88%
Violins
2		 Treble 15 0 2 6 88%
Violins
3		 Treble 13 0 1 6 88%
Violoncello Continuo Bass 17 0 3 6 88%
Violoncellos Bass 16 0 3 6 88%
Violoncello Bass 18 0 3 6 85%
Almirena 13 0 3 8 54%